
Bamboo or rattan is split, smoothed, bent by hand and tied into the skeleton. The frame decides the shape of the head, how it moves, and how long it lasts.
Lion heads, dragons and lanterns, built entirely by hand from bamboo or rattan, paper and paint. Our pieces are never mass-produced. Each one is made to measure for its client.
Begin a commission Instagram @lionopus
We do not make objects. We make pieces that carry centuries of heritage from Southern China, Hong Kong and Malaysia — singular, rare, and built for those who ask for both authenticity and excellence.

Every piece is made to order and to measure, for traditional performances, for display, or for both.
Southern lion makers sum up their craft in four words: frame, paper, paint, dress. Ghyslain learned them over fifteen years under masters in China, Hong Kong, Malaysia and Taiwan.

Bamboo or rattan is split, smoothed, bent by hand and tied into the skeleton. The frame decides the shape of the head, how it moves, and how long it lasts.

Layers of paper and gauze are cut, then carefully pasted one by one onto the frame with a glue the craftsman makes to his own secret recipe, giving each piece the strength to last.

Colour and pattern are traced one by one in the style the client chooses: traditional, Hong Kong or Malaysian. Every motif carries meaning; every piece is painted for its owner.

Fur, horsehair, pompoms and mirrors are fitted. Then the head waits for the eye-dotting ceremony that brings it to life.

“My mission is to honour the heritage I was entrusted with, and to share it through work that inspires joy, respect and awe.”
Lion dance has been at the centre of Ghyslain Kuehn’s life for more than 25 years. What began as performance, on stage and in the street, led him to the roots of the culture: fifteen years travelling through China, Hong Kong, Malaysia and Taiwan to study not only the dance, but the making of the heads themselves.
From his masters he learned to bend bamboo and rattan by hand, to shape and layer paper, and to give a piece its spirit through harmony of colour and painting style. His own workshop exists for one reason: to keep this art alive, without shortcuts.
Exhibited in “Dragons” at the musée du quai Branly – Jacques Chirac, Paris, 2025–26.



We restore with a curator’s care and an artist’s hand. Colours are revived, textures renewed and frames reinforced, always respecting the spirit of the original. Once restored, your lion or dragon is ready to be awakened again through the eye-dotting ceremony.
Ask about a restoration
From bold festival lions to refined collector’s editions, every piece can be tailored. Colours, motifs and symbolic details are chosen together, and the eye-dotting ceremony can be performed in the workshop or at your location.
Begin a commissionBecause every piece is handmade, commission places are limited and timelines depend on complexity. If you have a festival, performance or exhibition date, get in touch early.
Whether you are a performer, a cultural institution or a collector, tell us what you have in mind. Every message gets a personal reply from the craftsman himself. No AI here.
Thank you. Ghyslain reads every message himself and will reply to you by email.
